WASHINGTON, DC, 25 July 2011 — This is the ninth — and last — in a series of video snapshots, or vignettes, that I’ll be posting about our “Backpack Documentary Expedition: Nicaragua.” These are unedited but mostly chronological clips that I was able to produce while conducting the event from 24 June through 3 July 2011.
This video shows the departure from Nicaragua of volunteers associated with the New York-based NGO, Bridges to Community. They visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. You can watch the video on YouTube or on Vimeo.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 24 July 2011 — This is the eighth in a series of video snapshots, or vignettes, unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011. This video depicts a dedication ceremony of the house (La Casa) that volunteers associated with the New York-based NGO, Bridges to Community, built in the town of Ticuantepe. The volunteers visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. You can watch the video on YouTube or on Vimeo.
WASHINGTON, DC, 23 July 2011 — This is the seventh in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011.
This video shows some of the volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. You can watch it on YouTube or on Vimeo.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 23 July 2011 — Martha Dodge, a participant in the recent Backpack Documentary Expedition: Nicaragua, has published her film, “A House for Teresa.” As I wrote to Martha after she posted it on the Internet, the film is a testament to her “talent, hard work and kind heart.” You can watch it on Vimeo. In the picture above, Turner Bailey, one of 32 volunteers associated with the New York-based NGO Bridges to Community, muscles a bucket of concrete while helping to build a house for one of Nicaragua’s materially poor in the town of Ticuantepe.
(Photo courtesy Martha Dodge.)
WASHINGTON, DC, 22 July 2011 — This is the sixth in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011.
This video features the two students who participated in the Nicaragua expedition. They are Martha Dodge and Paloma Jackson. Each worked on her own film about the journey. You can watch it on YouTube or on Vimeo.
These snapshots are quick peeks into an extraordinary journey by some 30 volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 21 July 2011 — This is the fifth in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011.
I call it “Los Nicas” because it’s all about the people who populate the Central American nation of Nicaragua. You can watch it on YouTube or on Vimeo.
These snapshots are quick peeks into an extraordinary journey by some 30 volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. The Bridges journey was documented by my two students, Martha Dodge and Paloma Jackson.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 20 July 2011 — This is the fourth in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011. You can watch it on YouTube and on Vimeo.
These snapshots are quick peeks into an extraordinary journey by some 30 volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. The Bridges journey was documented by my two students, Martha Dodge and Paloma Jackson.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 19 July 2011 — This is the third in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011. You can watch it on YouTube and on Vimeo.
These snapshots are quick peeks into an extraordinary journey by some 30 volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. The Bridges journey was documented by my two students, Martha Dodge and Paloma Jackson.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 18 July 2011 — This is the second in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011.
These snapshots are quick peeks into an extraordinary journey by some 30 volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. The Bridges journey was documented by my two students, Martha Dodge and Paloma Jackson. This video shows Martha and Paloma arriving at the Augusto C. Sandino International Airport in Managua.
You can watch the video on YouTube and on Vimeo. The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
Yours,
Bill Gentile
WASHINGTON, DC, 17 July 2011 — This is the first in a series of video snapshots, or vignettes, which are unedited but mostly chronological clips that I was able to produce while conducting my “Backpack Documentary Expedition: Nicaragua,” of 24 June through 3 July 2011.
These snapshots are quick peeks into an extraordinary journey by some 30 volunteers associated with the New York-based NGO, Bridges to Community, who visited Nicaragua to help build four houses in as many days, part of the group’s broader endeavor of community development and strengthening ties between the United States and that Central American nation. The Bridges journey was documented by my two students, Martha Dodge and Paloma Jackson.
The expedition was the first in what I hope will be many journeys to document the work of altruistic citizens of the world reaching out to assist the less fortunate. At the same time, I aim to teach the craft of backpack journalism to as many people as I can.
We are, right now, at an extraordinary juncture in the history of mankind, technology and communication. Even more important than the Gutenberg press, the advances in digital cameras and the Internet provide us unprecedented opportunity. Ordinary citizens of the world now wield extraordinary power. We wield the power to communicate instantly, globally and in a language, the visual language, which supersedes both the written and the spoken word. This visual language knows no frontiers. It needs no translation. It is contingent on no corporate support. It is one of the most powerful tools of our time. And backpack journalism is the embodiment of this visual language. No matter what the new media landscape looks like after the current upheaval, backpack journalism will be an important part of it.
And I am convinced that we can use this methodology as a force for good. As the slogan for our expedition states: “Engage. Embrace. Empower.” This is the mission.
So what is backpack journalism? I define it as the craft of one properly trained professional using a hand-held digital video camera to tell character-driven stories in a more immediate, more intimate fashion than is achievable using a conventional, shoulder-held camera and a team that includes camera person, sound person, correspondent and producer. Backpack journalists do it all and, most importantly, we make the pictures, which are the driving force of visual communication. Backpack journalism is not the 6 o’clock news reported by a single, multi-tasking journalist. It is a character-driven methodology with a specific, time-consuming approach and application that yields unique results and that does not work in all situations.
I made these video snapshots with an HDSLR, the first time I’ve used this kind of tool. I hope you enjoy them. As many of you know, these cameras have some shortcomings, particularly when it comes to sound. I plan to post about a dozen of these brief films over the next several days, so stay tuned. I’d be interested to hear your comments. Please feel free to offer them.
You can watch the first of these films on YouTube.
Yours,
Bill Gentile
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