FREELANCERS, Indiegogo and a Full-Time Job

WASHINGTON, DC, Day 4 of 40 – They warned me about this stage of my FREELANCERS project. Post-production. Indiegogo crowdfunding campaign. It’s a full-time job that keeps me running from predawn to late at night. But I want to get this story out, so I’m OK with the long hours. My story – my documentary […]

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Early Days as FREELANCER

WASHINGTON, DC, Day 3 of 40 — Look closely at the caption on this photo. Toward the end you will see “lg/William Gentile” The “lg” are the initials of the person who wrote this caption. The “William Gentile” is, of course, is my real, formal, name. Now I use the abbreviated form of “Bill” on […]

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Day 2 of FREELANCERS and Indiegogo

WASHINGTON, DC, Day 2 of 40 — This is how I start most days. Before dawn and firing up some espresso coffee. Today is a bit different because it’s Day 2 of a 40-day Indiegogo crowdfunding campaign for my documentary series, FREELANCERS with Bill Gentile. I’m up earlier and staying up later than usual. See […]

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FREELANCERS Launches Crowdfunding Campaign

WASHINGTON, DC, 6 November 2017 — This is what my life will look like, for the most part, during the next 40 days. A computer, a view of my back yard — and lots of coffee. We’ve just launched an Indiegogo crowdfunding campaign for my documentary series, FREELANCERS with Bill Gentile, and are heading full […]

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Closing In on “FREELANCERS”

MEXICO CITY, 8 March 2017 — A masked participant proceeds down the Avenida de la Reforma, a principle avenue in the Mexican capital, in a march for women’s rights. American University graduate student and Teaching Assistant Matt Cipollone made this image (taken from the video he shot) when we traveled to Mexico to shoot “FREELANCERS […]

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Juggling Journalism and Unemployment in Mexico

MEXICO CITY, 11 March 2017 — A juggling clown practices his craft for money from passersby at a busy intersection in the Mexican capital. Unemployment and underemployment have been nagging problems for Mexico since I’ve known the country, which is for the past 40 years. I returned to Mexico in March 2017 to shoot the […]

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